Hamlet
Please see the bottom of the page for full explanatory notes and helpful resources.
ACT IV SCENE IV | A plain in Denmark. | |
| Enter FORTINBRAS, a Captain, and Soldiers, marching. | |
PRINCE FORTINBRAS | Go, captain, from me greet the Danish king; | |
| Tell him that, by his licence, Fortinbras | |
| Craves the conveyance of a promised march | |
| Over his kingdom. You know the rendezvous. |
| If that his majesty would aught with us, | |
| We shall express our duty in his eye; | |
| And let him know so. | |
Captain | I will do't, my lord. | |
PRINCE FORTINBRAS | Go softly on. |
| Exeunt FORTINBRAS and Soldiers. | |
| Enter HAMLET, ROSENCRANTZ, GUILDENSTERN, and others. | |
HAMLET | Good sir, whose powers are these? | |
Captain | They are of Norway, sir. | 10 |
HAMLET | How purposed, sir, I pray you? | |
Captain | Against some part of Poland. | |
HAMLET | Who commands them, sir? |
Captain | The nephews to old Norway, Fortinbras. | |
HAMLET | Goes it against the main of Poland, sir, | |
| Or for some frontier? | |
Captain | Truly to speak, and with no addition, | |
| We go to gain a little patch of ground |
| That hath in it no profit but the name. | |
| To pay five ducats, five, I would not farm it; | 20 | |
| Nor will it yield to Norway or the Pole | |
| A ranker rate, should it be sold in fee. | |
HAMLET | Why, then the Polack never will defend it. |
Captain | Yes, it is already garrison'd. | |
HAMLET | Two thousand souls and twenty thousand ducats | |
| Will not debate the question of this straw: | |
| This is the imposthume of much wealth and peace, | |
| That inward breaks, and shows no cause without |
| Why the man dies. I humbly thank you, sir. | |
Captain | God be wi' you, sir. | 30 |
| Exit | |
ROSENCRANTZ | Will't please you go, my lord? | |
HAMLET | I'll be with you straight go a little before. | |
| Exeunt all except HAMLET. | |
| How all occasions do inform against me, |
| And spur my dull revenge! What is a man, | |
| If his chief good and market of his time | |
| Be but to sleep and feed? a beast, no more. | |
| Sure, he that made us with such large discourse, | |
| Looking before and after, gave us not |
| That capability and god-like reason | |
| To fust in us unused. Now, whether it be | |
| Bestial oblivion, or some craven scruple | 40 |
| Of thinking too precisely on the event, | |
| A thought which, quarter'd, hath but one part wisdom |
| And ever three parts coward, I do not know | |
| Why yet I live to say 'This thing's to do;' | |
| Sith I have cause and will and strength and means | |
| To do't. Examples gross as earth exhort me: | |
| Witness this army of such mass and charge |
| Led by a delicate and tender prince, | |
| Whose spirit with divine ambition puff'd | |
| Makes mouths at the invisible event, | 50 |
| Exposing what is mortal and unsure | |
| To all that fortune, death and danger dare, |
| Even for an egg-shell. Rightly to be great | |
| Is not to stir without great argument, | |
| But greatly to find quarrel in a straw | |
| When honour's at the stake. How stand I then, | |
| That have a father kill'd, a mother stain'd, |
| Excitements of my reason and my blood, | |
| And let all sleep? while, to my shame, I see | |
| The imminent death of twenty thousand men, | 60 |
| That, for a fantasy and trick of fame, | |
| Go to their graves like beds, fight for a plot |
| Whereon the numbers cannot try the cause, |
| Which is not tomb enough and continent | |
| To hide the slain? O, from this time forth, | |
| My thoughts be bloody, or be nothing worth! | |
| Exit | |
Next: Hamlet, Act 4, Scene 5
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Explanatory Notes for Act 4, Scene 4
From Hamlet, prince of Denmark. Ed. K. Deighton. London: Macmillan.
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1. from me greet, bear my greetings to.
2. by his license, if he will allow it.
3, 4. Craves ... kingdom, desires that, according to promise, he
may be allowed to transport his forces across Denmark: the rendezvous, the appointed place of meeting; Fr. rendez, 2nd person plural, imperative, of rendre, to render, bring, and vous, the
plural of the 2nd personal pronoun; a military term for the place
appointed for soldiers to assemble.
5. would ... us, wishes to see us for any purpose.
6. We shall ... eye, we shall be ready to appear before him in
person and do homage to him; for in his eye, Steevens compares
A. C. ii. 2. 212, "Her gentlewomen ... tended her i' the eyes,"
and says "the phrase seems to have been a formulary for the
royal presence."
7. And let him know so, and therefore tell him so. For this
change of construction, cp. M. A. v. 1. 303, 4, "I do embrace
your offer; and dispose (i.e. do you dispose) For henceforth of
poor Claudio. "
8. softly, slowly; i.e. with the troops under your command.
9. powers, forces; as frequently in Shakespeare.
10. of Norway, belonging to Norway.
11. How purposed, with what object have they marched
hither?
15, 6. Goes it ... frontier? is the expedition directed against
the mainland of Poland, or only some outlying portion of that
kingdom?
17. with no addition, without exaggeration.
18. to gain, to make ourselves masters of.
19. That hath ... name, whose only value lies in the name of
possession.
20. To pay ... it, I would not pay five ducats, not even five, for
the lease of it.
21. Norway, the king of Norway.
22. ranker, higher; literally more exuberant in growth;
sold in fee, sold out and out, not merely farmed; a 'fee'
originally signified an estate feudally held of another person,
and an estate in fee simple is the greatest estate or interest
which the law of England allows any person to possess in landed
property.
23. then, if it is worth no more than that.
25, 6. Two thousand ... straw, the decision of this petty quarrel
will cost the lives of at least two thousand men, and the waste
of, etc.; for debate, = decide by combat, cp. Lucr. 1421, "It
seem'd they would debate with angry swords"; the word is from
the O. F. debatre, to beat down.
27-9. This is ... dies, this morbid desire in the body politic to
quarrel about nothing, a desire due to superabundance of wealth
and the idleness of a long peace, is like an abscess in the physical
body which bursts inwardly without showing any visible cause of the man's death; i.e. this readiness to quarrel merely for the
sake of quarrelling shows an unhealthy condition in a state; so,
in i. H. IV. iv. 2. 32, the idle, discontented, fellows whom Falstaff
enlists are called "the cankers of a calm world and a long peace";
imposthume, from "O.F. apostume, an 'inward swelling full of
corrupt matter'; Cot. — Lat. apostema, an abscess....
Here the prefix im - is due to mere corruption" (Skeat, Ety. Dict.).
Cp. Beaumont and Fletcher, Four Plays in One, "the two imposthumes That choke a kingdom's welfare, — ease and wantonness."
30. God ... you, merely a courteous form of bidding farewell.
32. How all ... me, how everything that happens seems to
denounce my irresolution! inform against me, being a charge
against me as informers do against guilty persons; cp. R. II. ii.
1. 242, "what they will inform ... 'gainst any of us all." [Please click here for analysis of Hamlet's soliloquy.]
34. market of his time, that for which he brings his time for
sale as beasts are brought on market-day.
35. a beast, no more, thus making himself no better than a
brute beast.
36, 7. made us ... after, endowed us with such comprehensive
faculties, faculties which concern themselves with both the future
and the past; not like those of brute beasts which seem concerned with the present moment only.
39. to fust, to grow fusty, mouldy; literally 'tasting of the
cask,' from O. F. fuste, a cask.
40. craven, cowardly: literally one who sues for mercy.
41. Of thinking, which consists in thinking: precisely,
minutely.
42. 3. A thought ... coward, a mode of thinking which, if quartered, will be found to be made up of one part of wisdom to three parts of cowardice.
44. 'This ... do,' this act still remains to be done; for the
infinitive active where we use the passive, see Abb. § 359.
46. Examples ... me, so plain and material that the dullest
man could not fail to recognize them as such.
47. Witness, for instance; literally 'let this army witness';
charge, cost.
48. delicate and tender, brought up in ease and luxury, and so
not naturally inclined to such rough work.
50. Makes ... event, laughs at the possible consequences; cp.
ii. 2. .344, "makes mows."
51. mortal, liable to death.
53. an egg-shell, the merest, most worthless, trifle.
54. Is not to stir, Furness thinks that the negative belongs to
the copula, and that there should be a comma after not: argument, cause of quarrel.
55. But greatly ... straw, but to be prompt to find in the
slightest trifle provocation for fighting. [Please click here for further analysis of Fortinbras' motivation.]
51. When ... stake, when honour is concerned; when it is
honour that is the subject of attack; cp. T. N. iii. 1. 129,
"Have you not set mine honour at the stake And baited it with
all unmuzzled thoughts...?" Schmidt takes at the stake, as
equivalent to 'at stake,' as in Oth. iv. 2. 13.
56-9. How stand ... sleep? how unworthy is my position, then,
who though my father has been murdered and my mother's good
fame destroyed, — facts which should be sufficient to stir both
my reason and my passion, — still allow things to remain exactly
as they were without making the smallest effort to remedy them.
61. for a ... fame, for the sake of such a fanciful whim as the
desire of fame; for trick, in this sense, cp. M. M. iii. 1. 114,
"Why would he for a momentary trick Be perdurably fined?"
Schmidt takes trick as = trifle, as in Cor. iv. 4. 21. [Please click here for more on the problem this passage presents.]
62. like beds, as readily as they would to their beds: plot,
small strip of land.
63. Whereon ... cause, too small to hold the combatants for it.
64. which is ... continent, which is not large enough to be the
tomb and cover; continent, that which contains; cp. A. C. iv.
4. 40, "Heart once be stronger than thy continent, Crack
thy frail case!"
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How to cite the explanatory notes:
Shakespeare, William. Hamlet, prince of Denmark. Ed. K. Deighton. London: Macmillan, 1919. Shakespeare Online. 20 Feb. 2010. < http://www.shakespeare-online.com/plays/hamlet_4_4.html >.
How to cite the scene review questions:
Mabillard, Amanda. Hamlet: Scene Questions for Review. Shakespeare Online. 27 Dec. 2013. < http://www.shakespeare-online.com/plays/hamlet_4_4.html >.
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Scene Questions for Review
1. Many comparisons can be made between Fortinbras and Hamlet. Both are young princes, both are seeking revenge for a slain father, and both have had their crown taken by an uncle. But there are also some key differences between them. How many can you think of? Why does Hamlet admire Fortinbras? For more on Fortinbras, please click here.
2. Hamlet's conversation with the Captain and his subsequent pivotal soliloquy appear in Q2 but, quite surprisingly, not in the First Folio. What effect would its absence have on the play overall?
3. Hamlet is not without its share of improbabilities and contradictions. In his discussion with the Captain, Hamlet believes that Fortinbras' motive for fighting over such an insignificant piece of land is "the imposthume of much wealth and peace", but in Hamlet's soliloquy he says it is Fortinbras' value of honor that makes him "find quarrel in a straw." Might there be a way to explain this incongruity? Is it possible that the passage "Two thousand souls...dies" (lines 25-30) should belong to the Captain instead of Hamlet?
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More to Explore
Hamlet: The Complete Play with Explanatory Notes
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Claudius and the Condition of Denmark
O Jephthah - Toying with Polonius
The Death of Polonius and its Impact on Hamlet's Character
Blank Verse and Diction in Shakespeare's Hamlet
Analysis of the Characters in Hamlet
Introduction to Hamlet
The Hamlet and Ophelia Subplot
The Norway (Fortinbras) Subplot
Deception in Hamlet
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Points to Ponder ... Hamlet's last soliloquy is crucial to our understanding of his character development. By the end of the soliloquy, Hamlet brings to a halt his solemn contemplation on the immoral act of murderous revenge, and finally accepts it as his necessary duty. It is not that Hamlet has presented a solid and reasonable argument to convince himself of his terrible responsibility; rather he has driven himself to the conclusion with intense and distorted thoughts. Full soliloquy analysis...
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Hamlet: Problem Play and Revenge Tragedy
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Hamlet's Relationship with the Ghost
Philological Examination Questions on Hamlet
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Soliloquy Analysis: Tis now the very witching time of night... (3.2)
Soliloquy Analysis: Now might I do it pat... (3.3)
Soliloquy Analysis: How all occasions do inform against me... (4.4)
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The First Hamlet Review ... In Hamlet: An Historical and Comparative Study, Elmer Edgar Stoll writes that the first known critical notes on Hamlet appeared in 1699 in James Drake's Antient and Modern Stages Survey'd. Drake wrote:
Nothing in Antiquity can rival this plot for the admirable distribution of Poetick Justice. The Criminals are not only brought to execution, but they are taken in
their own Toyls, their own Stratagems recoyl upon 'em, and they are involved them
selves in that mischief and ruine, which they had projected for Hamlet. Polonius
by playing the Spy meets a Fate, which was neither expected by nor intended for
him. Guildenstern and Rosencrans, the Kings Decoys, are counter-plotted, and sent
to meet that fate, to which they were trepanning the Prince. The Tyrant himself
falls by his own plot, and by the hand of the Son of that Brother, whom he had
Murther'd. Laertes suffers by his own Treachery, and dies by a Weapon of his own
preparing. Thus every one's crime naturally produces his Punishment, and every
one (the Tyrant excepted) commences a Wretch almost as soon as a Villain.
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Claudius and the Dumb-Show: Why Does he Stay?
Claudius and the Mousetrap
In Secret Conference: The Meeting Between Claudius and Laertes
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An Excuse for Doing Nothing: Hamlet's Delay
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Shakespeare's Fools: The Grave-Diggers in Hamlet
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All About Yorick
Hamlet's Melancholy: The Transformation of the Prince
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The Significance of Ophelia's Flowers
Ophelia and Laertes
Mistrusted Love: Ophelia and Polonius
The Significance of the Ghost in Armor
Shakespeare's View of the Child Actors Through Hamlet
Divine Providence in Hamlet
What is Tragic Irony?
Seneca's Tragedies and the Elizabethan Drama
Shakespeare's Sources for Hamlet
Characteristics of Elizabethan Tragedy
Why Shakespeare is so Important
Shakespeare's Language
Shakespeare's Influence on Other Writers
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